• PROJECTS
  • The Unquiet
  • Thalassa Neon Julia
  • The Accursed Sound
  • The Year I Floated In Space
  • The Voice Moves The Air
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  • Run out and on to infinity
  • The Treasury
  • Chairs Falling
  • Concertina
  • 273 Seconds
  • The Tangible Air
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  • Black Seas Ensemble
  • Fifths
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  • The Dim Coast
  • A Sound That Never Was
  • Nothing (Repeated)
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  • Black White Red
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  • Send + Receive: A Festival of Sound
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Run out and on to infinity
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Casino Luxembourg
January 19 - April 4, 2019
As part of Buveurs de quintessences
Curated by Caroline Andrieux

Companion performance: Before, After, During
February 14, 2019
Solo performance and trio performance by members of United Instruments of Lucilin:
Guy Frisch (percussion), André Pons-Valdès (violin), and Anik Schwall (cello).

Previously:
Buveurs de Quintessences
Fonderie Darling
February 22 - May 6, 2018

Custom-made wallpaper made from a high resolution scan of a print of a small section of an etching by Gustav Doré' from his interpretation of the sky of Hell for Dante's Inferno, forms the backdrop to a turntable playing a lathe cut record. The music on the record is never heard by the audience but instead seen as flickering light on a nearby monitor. The music ends in a lock groove, spinning continuously. The audience is welcome to restart the record at any time. When the stylus is lifted from the record, the monitor goes black, and relights as the stylus is set down again.

Before, After, During (2018) is a performance in the context of Run out and on to infinity. During the performance, musicians interpret the music on the lathe cut record whose sound is unheard in the installation. In the first set, Steve Bates uses the perceptible sounds before and after a piece of music on a record. Three musicians of the Luxembourg ensemble United Instruments of Lucilin play the actual song, including the dust and scratches on the record that become part of the composition.

Recording of the lathe cut record after a month of installation at Fonderie Darling. At some point a small piece of concrete fell from the roof and landed on the record causing the indelible percussive elements now part of the record:

Live recording of solo performance at Casino Luxembourg:

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Thank you: Caroline Andrieux, Ji-Yoon Han, Milly-Alexandra Dery, Alfonso Esparza and all of the staff and interns at Fonderie Darling, Kevin Muehlen, Stilbé Schroeder, Patrick Scholtes, Christine Walentiny, and all of the staff at Casino Luxembourg, Florence Martin, Guy Frisch, André Pons-Valdés, Anik Schwall at United Instruments of Lucilin, and Zac Decamp at Chestnut Street Records.

We acknowledge the support of the Canada Council for the Arts.